OLD PARTNERS AND NEW SENSATIONS (from our friend Darko)
Get link
Facebook
X
Pinterest
Email
Other Apps
Hi Folks, It's been a long time since my last post was published here. Let me
keep the reasons for that interim period under the file “private”. But I have
not been resting from making experimental movies since last spring. So I'll open
this fresh post with three links for my most recent works:
When I already decided to return to creating posts for our blog, I simultaneously dug through my personal archive of the period before the coronavirus pandemic to find something of more general interest. Five years ago, during my last days as a programmer and presenter of new experimental cinematography at the Split Cinema Club, I contacted and met in person a lot of interesting people. For this occasion, I chose three (or four as the selection includes one artistic couple) exceptional authors, which I consider to be an excellent refreshment for this film blog.
Argentinian director with USA background, his work "Impossible Flowers" from 2019. was presented on 13th of September 2019. at the Cine Club Split as a part of my weekly "Short(s) Petting" programs there (and as an introduction playlist to “Cinema Pur Archive” projection in the main term that evening, together with David King/s "Lost in a Borgesian Labyrinth" from 2018 and the works directed by Takatoshi Arai, Matt T Helme, Ivan Li and the next person that I like to mention here:
Daniel and Clara are UK based artistic couple whose video projects I have also presented at the Cine Club five years ago during Dublin based "Experimental Film Society" president Rouzbeh Rashidi 3 day's visit for his remarkable film "Phantom Islands" (2018) promotion at the same place (Daniel and Clara acted in that one).
Please visit those directors web pages to get permissions for watching their VIMEO uploaded videos. Hope you`ll like them.
And for even more new sensations in the field of experimental film and video here are three screen prints and affiliated links for three extraordinary YouTube channels:
Darko, I have no idea what you intended with the three videos 'Cold Stone Eye', 'Bouncing Apples' and 'Down the Road' so I can only give my impressions of how they came across to me. I liked the subtlety of 'Cold Stone Eye', the way the images changed so slowly, giving rise to a sense of expectation. 'Bouncing Apples' reminded me vaguely of cinematic experiments in the early 1900s, and German expressionist work of the 1920's and 30's (probably due to the Brutalist architecture) . I found a distinctly science fiction vibe to 'Down the Road', almost 'Blade Runner"-ish in parts. It would be interesting too see what impressions others had of these films.
Recently I posted this: From Richard: We knew it was coming, but it's still hard to believe February 20, 2024 In that blog Richard introduced me to SORA which I found astonishing. Some of you may also have been as astonished as I was. Since then Richard sent me a new lead on "LUMA DREAM MACHINE" which offers in some respects more than what SORA did. Here's a link to their main page which has been going viral: https://lumalabs.ai/dream-machine Well I 've been playing with Luma for a few days now, and to-ing and fro-ing with Richard and Alix... some of the results took my breath away, some were totally disappointing. Let's start with...
Darko has recently introduced me to multimedia artist Maria Korporal. Of Dutch origin, Maria lived in Italy for many years but she has lived and worked in Berlin since 2014 . Her artistic production includes video art, interactive projects, installations. Her multimedia work has been designed using a wide variety of techniques. The narrative aspect, both personal and social, plays a major role in her work which together with the directness of the images and the sounds leads to greater participation of the viewer. In her work she plays with virtuality and reality, with undergone and artificially generated experiences. Most of her projects deal with social and environmental issues, often with an ironic approach. A good example is her project Korporal Zoo , a series of video works made between 2010 and 2018, which observe the animal and human world from several perspectives: cultural, social, environmental. Over the last two years Maria experienced the...
Eyeless in Gaza... Footnotes: I wanted to leave these images up clear of any text. My friend Richard suggested we should acknowledge the sources so I've made a big effort to track them down out of respect for the incredible job they do, and especially for their courage, working in the dangerous zones where so many aid workers and journalists have lost their lives. But some are not credited on the pages of publications I drew them from. Here's a list I've just completed, numbered from the image No.1 at top of page down to the final one, No.9 1. Abdulqader Sabbah/Anadolu 2: Mohammed Dahman/AP 3. P hotograph: Anadolu Agency/Anadolu/Getty Images 4. Photo: WFP/Ali Jadallah 5. April 18, 2024. (AFP) 6: Mahmoud Issa: Reuters: Redux 7. Photographer: Mahmud Hams/AFP/Getty Images 8. P hotographer: Anadolu Agency/Anadolu/Get...
Darko, I have no idea what you intended with the three videos 'Cold Stone Eye', 'Bouncing Apples' and 'Down the Road' so I can only give my impressions of how they came across to me.
ReplyDeleteI liked the subtlety of 'Cold Stone Eye', the way the images changed so slowly, giving rise to a sense of expectation.
'Bouncing Apples' reminded me vaguely of cinematic experiments in the early 1900s, and German expressionist work of the 1920's and 30's (probably due to the Brutalist architecture) .
I found a distinctly science fiction vibe to 'Down the Road', almost 'Blade Runner"-ish in parts.
It would be interesting too see what impressions others had of these films.