OLD PARTNERS AND NEW SENSATIONS (from our friend Darko)
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Hi Folks, It's been a long time since my last post was published here. Let me
keep the reasons for that interim period under the file “private”. But I have
not been resting from making experimental movies since last spring. So I'll open
this fresh post with three links for my most recent works:
When I already decided to return to creating posts for our blog, I simultaneously dug through my personal archive of the period before the coronavirus pandemic to find something of more general interest. Five years ago, during my last days as a programmer and presenter of new experimental cinematography at the Split Cinema Club, I contacted and met in person a lot of interesting people. For this occasion, I chose three (or four as the selection includes one artistic couple) exceptional authors, which I consider to be an excellent refreshment for this film blog.
Argentinian director with USA background, his work "Impossible Flowers" from 2019. was presented on 13th of September 2019. at the Cine Club Split as a part of my weekly "Short(s) Petting" programs there (and as an introduction playlist to “Cinema Pur Archive” projection in the main term that evening, together with David King/s "Lost in a Borgesian Labyrinth" from 2018 and the works directed by Takatoshi Arai, Matt T Helme, Ivan Li and the next person that I like to mention here:
Daniel and Clara are UK based artistic couple whose video projects I have also presented at the Cine Club five years ago during Dublin based "Experimental Film Society" president Rouzbeh Rashidi 3 day's visit for his remarkable film "Phantom Islands" (2018) promotion at the same place (Daniel and Clara acted in that one).
Please visit those directors web pages to get permissions for watching their VIMEO uploaded videos. Hope you`ll like them.
And for even more new sensations in the field of experimental film and video here are three screen prints and affiliated links for three extraordinary YouTube channels:
Darko, I have no idea what you intended with the three videos 'Cold Stone Eye', 'Bouncing Apples' and 'Down the Road' so I can only give my impressions of how they came across to me. I liked the subtlety of 'Cold Stone Eye', the way the images changed so slowly, giving rise to a sense of expectation. 'Bouncing Apples' reminded me vaguely of cinematic experiments in the early 1900s, and German expressionist work of the 1920's and 30's (probably due to the Brutalist architecture) . I found a distinctly science fiction vibe to 'Down the Road', almost 'Blade Runner"-ish in parts. It would be interesting too see what impressions others had of these films.
Our friend Nigel Buesst. A friendship of so many years, 62 years since we first met. Plenty of water under the bridge. Nigel at home with his minder, Jedda photo by Ivan Gaal I was just starting out in my life as a filmmaker, working at the State Film Centre in the library section. One day I was on counter duties, receiving films returning from borrowers and handing out films to other borrowers. In walked Nigel with a bundle of films under his arm, returning them from a film society he was involved with at the time. I think it was the CSIRO film group and Nigel was collecting another bundle which they would run in an upcoming programme. A short conversation of a few minutes at the counter established that we were both interested in making films and soon enough we became close friends. Nigel was about to shoot “Fun Radio” which was a real buzz for me. He asked me to shoot a few shots from his fancy sports car so I got to operate his new Bolex camera for a tracking shot or two as ...
Eyeless in Gaza... Footnotes: I wanted to leave these images up clear of any text. My friend Richard suggested we should acknowledge the sources so I've made a big effort to track them down out of respect for the incredible job they do, and especially for their courage, working in the dangerous zones where so many aid workers and journalists have lost their lives. But some are not credited on the pages of publications I drew them from. Here's a list I've just completed, numbered from the image No.1 at top of page down to the final one, No.9 1. Abdulqader Sabbah/Anadolu 2: Mohammed Dahman/AP 3. P hotograph: Anadolu Agency/Anadolu/Getty Images 4. Photo: WFP/Ali Jadallah 5. April 18, 2024. (AFP) 6: Mahmoud Issa: Reuters: Redux 7. Photographer: Mahmud Hams/AFP/Getty Images 8. P hotographer: Anadolu Agency/Anadolu/Get...
Vale Ken! A farewell to muffin@labyrinth Last week I received this sad note from Inge, a close friend of Ken Mogg: Dear Peter, Just a sad note that our friend Ken Mogg passed away yesterday, 2nd Feb 2023. He had been in and out of hospital with breathing problems, was not eating properly, and had gone into a care home just recently, maybe a week or so ago. His sister rang me and said he had passed away peacefully yesterday. I hope you are well. Love -- Inge. Ken and Inge made the effort to attend a screening when some of my films were shown at the AFW workshop some years ago. (Photo taken by Bill Mousoulis) So many years have passed since I first met Ken at film screenings at the Bughouse in Carlton, the MUFS screenings and Melbourne Film Festival screenings in the late sixties. We got to know each other better when we shared an office for about a year at Melbourne State College, 1974. We shared a great enthusiasm for the works of many directors but foremost was our l...
Darko, I have no idea what you intended with the three videos 'Cold Stone Eye', 'Bouncing Apples' and 'Down the Road' so I can only give my impressions of how they came across to me.
ReplyDeleteI liked the subtlety of 'Cold Stone Eye', the way the images changed so slowly, giving rise to a sense of expectation.
'Bouncing Apples' reminded me vaguely of cinematic experiments in the early 1900s, and German expressionist work of the 1920's and 30's (probably due to the Brutalist architecture) .
I found a distinctly science fiction vibe to 'Down the Road', almost 'Blade Runner"-ish in parts.
It would be interesting too see what impressions others had of these films.